|
The Clerestory Windows / Las
Clerestory Ventanas |
| Saint
Paul's Cathedral has 14 clerestory windows. These have been designed
from the units of the symbols of the twelve Apostles. But because
two above this number were called for, over the Sanctuary, there
were added the symbols of St. John the Baptist and of St. Stephen
the Martyr.
These small clerestory windows - they
are only 6 feet high as compared with the great size of the rest of
the windows in the Cathedral - stand about fifty feet above eye
level. Consequently they have had to be very simple in design. The
lead lines have had to be exaggeratedly wide - two and a half inches
- in order that, so far away, they can carry the weight of the
design and not disapear.
|
 |
Saint John the Baptist |
Starting with the window on the
Epistle side of the Sanctuary, we have St. John the Baptist, whose
attribute is the nimbed lamb because St. John the Baptist pointed to
Jesus Christ, the Lamb of God. In the crook of his right leg this
lamb holds a red banner with a cross of Victory on the top. He
stands on the Book. Above is a locust, with wings outspread, in
remembrance of St. John the Baptist having fed upon locusts in the
desert. |
|
San Juan Bautista |
|
|
 |
Saint John the Evangelist |
St. John the Evangelist comes next
in our clerestroy windows. His principle attribute is the eagle, as
the symbol of the highest aspiration. Above this eagle I have shown
the chalice of poisoned wine that St. John had once been commanded
to drink by the Emperor Domitian. Obeying the Emperor's orders, John
drank and the poison departed in the form of a snake. At the bottom
of the window I have depicted the cauldron of boiling fat into which
St. John was thrown and from which he emerged unhurt. |
|
San Juan Evangelista |
|
|
 |
Saint Andrew |
St. Andrew the Apostle, brother of Simon Peter, the fisherman of
Bethsaida in Galilee, was one of the first disciples of Christ. So,
as a fisherman, he is identified with a design of two fishes and,
behind them, a great boathook. He is said to have been crucified on
a cross in the shape of an X. This is his attribute, and as such he
is known as the patron saint of Scotland. |
|
San Andrés |
|
 |
Saint Philip |
We come next to St. Philip. He is
associated chiefly with the feeding of the Five Thousand (John 6)
and a design of loaves and fishes is included. But because,
according to legend, he found a great serpent being worshipped in
the City of Hierapolis, and, aided by the cross, caused the serpent
to disappear, and thus is shown with the serpent entwined in the
patriarchal cross. |
|
San Felipe |
|
 |
Saint Batholomew |
There is little known of St.
Bartholomew. He was supposed to have traveled east as far as India.
While preaching in Armenia, on his return journey, he was seized by
the heathens, flayed alive and then crucified. His attribute is the
large scimitar, of peculiar shape, that was the instrument of his
martyrdom. A branch of the fig tree mentioned in John I is included
in this design. There is an open Bible and three flaying knives
placed vertically upon it. |
|
San Bartolomé |
|
 |
Saint Stephen
|
We move now to the Gospel side and
the first clerestory window in the sanctuary pays tribute to
Stephen, the first Christian deacon and the first martyr for the
Faith. And so we show the deacon's vestment, with the palm of
martyrdom laid across the bottom part of the robe. Above is a
censer, considered an attribute of St. Stephen. The stones that were
the instruments of his killing are placed in the background. |
|
San Esteban |
|
 |
Saint Simon |
St. Simon was the companion of St. Jude on many
of his missionary journeys. His most familiar symbol is a book upon
which lies a fish. This is because he was a great fisher of men,
through the power of the Gospel. There is also an oar and a battle
axe, and a fish impaled on a boat hook. |
|
San Simon |
|
 |
Saint Jude |
St. Jude traveled far with St. Simon on
missionary journeys. Hence, he is given the attribute of a sailboat
and a boathook. For some unspecified reason he is given, also, a
carpenter's square, a knotted club and a lance. Behind these
elements we see an inverted cross. |
|
San Judas |
|
 |
Saint Matthew |
We all associate St. Matthew with money bags.
Before becoming one of Christ's disciples, he was a tax collector in
the service of the Romans. But, too, he is portrayed as a writer of
the Gospel. And so, beneath these money bags and the coins, is shown
a scroll and a pen. At the top of the window is the battle axe,
which was the instrument of his martyrdom. |
|
San Mateo |
|
 |
Saint James the Lesser |
The attribute of St. James the Lesser
is a vertical saw because his dead body was sawn asunder after he
had been taken to the top of a tall building and pushed into
mid-air. Seriously injured, he staggered to his knees, imploring the
Lord to forgive his enemies. The enraged crowd stoned him and a
fuller dashed out his brains with a fuller's bat that is shown here,
against the stones. |
|
San Santiago |
|
 |
Saint Thomas |
The final clerestory window near the
entrance to the Cathedral is dedicated to the glory of St. Thomas.
This Apostle is said to have erected with his own hands a church
building at Malipur, in East India; hence the carpenter's square. He
is the patron saint of builders. He was stoned, shot down with
arrows and left dying alone, until a pagan priest ran him through
with a spear. This window shows the arrows and spears. |
|
San Tomás
Apostol |
|
| |
|
|
|